Who's Minding the Mint? | The Big Boodle - 1967
- Director Howard Morris
- Product Code: NA-7016-COM-LTS
- Reward Points: 1
- Availability: In Stock
Available Options
Tags: Who's Minding the Mint?, The Big Boodle, Howard Morris, 1967, money scheme, caper comedy, heist, heist crime, caper crime, uncut currency, shredded money, pawn shop, scam, safecracker, printing press, lost loot, unlikely criminal, diversion, plan, escape, lookout, breaking and entering, con artist, automation, extravagance, ice cream truck, garbage truck, truck driver, sewer system, recruiting, paper bag full of money, woman in uniform, girl next door, sexy neighbor, green eyed blonde, boy scout, bachelor, girl with braces, beehive hairdo, bouffant hairstyle, tutu, bare midriff, audio speaker, camera focus on female butt, forced retirement, hard of hearing, hearing aid, lincoln memorial, jefferson memorial, washington d.c., white house, u.s. mint, reference to benjamin franklin, reference to alexander hamilton, crime comedy, fun heist, mistaken crime, office hijinks, chaotic plan, humorous crime, accidental theft, teamwork, money printing, mint heist
In Who’s Minding the Mint? (1967), director Howard Morris orchestrates a buoyant caper-comedy that reflects the irreverent spirit of late-1960s American studio farce. The narrative centers on Harry Lucas (Jim Hutton), a mild-mannered United States Mint employee whose accidental contamination of $50,000 in newly printed currency with industrial solvent sets off a chain reaction of bureaucratic paranoia and personal desperation.
Fearing dismissal and disgrace, Lucas conceives an increasingly elaborate scheme to secretly remove the damaged bills from the Mint and replace them before anyone notices. What unfolds is a comic escalation involving co-workers, romantic entanglements, vault security systems, and the absurd rigidity of institutional protocol. The film cleverly juxtaposes the sanctity of federal currency production with the fallibility—and ingenuity—of the individuals who guard it.
Stylistically, the film belongs to a lineage of American ensemble farces that blend situational slapstick with character-driven wit. The Mint itself becomes a theatrical arena: labyrinthine corridors, towering currency presses, and surveillance anxieties transform a federal institution into a playground of escalating chaos. Beneath its lighthearted tone lies a subtle satire of bureaucratic systems, exploring how ordinary individuals respond when institutional order collides with human error.
A product of its era, Who’s Minding the Mint? stands as a polished example of mid-century American comedic caper cinema—playful, fast-paced, and gently subversive.