Wet Asphalt
- Director Frank Wisbar
- Product Code: NA-P2069-8055-DRA-LT
- Reward Points: 1
- Availability: In Stock
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Tags: Wet Asphalt, Nasser Asphalt, 1958, Frank Wisbar, Horst Buchholz, Martin Held, Maria Perschy, Gert Fröbe, Heinz Reincke, Inge Meysel, Peter Capell, Renate Schacht, Richard Münch, Ludwig Linkmann, West Germany, Germany, German cinema, European cinema, 1950s cinema, classic cinema, drama, thriller, journalism thriller, newspaper drama, journalism, newspapers, press, media, reporter, correspondent, editor, press tycoon, Greg Bachmann, Cesar Boyd, Bettina, fake news, fabricated facts, fabricated news, false news story, misinformation, disinformation, sensationalism, fraud, deception, lies, manipulation, unethical journalism, journalistic ethics, moral dilemma, integrity, truth, media responsibility, power relations, mentor and protégé, mentor betrayal, newspaper headlines, international press, press conference, World War II, postwar Europe, war criminals, Spandau Prison, German soldiers, bunker, survivor, blind survivor, Poland, Russia, Paris, Berlin, Cold War, Iron Curtain, international politics, protest, society, media history, forgotten classic, rare film, hard to find film, film collecting, German film heritage
In post-war Berlin, young reporter Greg Bachmann emerges from prison to find an unexpected route back into journalism. The opportunity comes from Cesar Boyd, an internationally celebrated newspaper figure whose reputation, authority and command of the news business make him an irresistible mentor to an ambitious journalist. Bachmann becomes Boyd's assistant and initially enters his world with admiration, only gradually discovering that the older man's success depends upon a far more troubling relationship with facts, authorship and public trust. The decisive crisis arrives when Boyd turns a casually overheard story into an invented international sensation concerning German soldiers supposedly isolated for years after the war. Once published, the report acquires a life of its own, spreading across borders and provoking reactions in a Europe still conditioned by wartime memory and Cold War tension. Bachmann must then decide whether professional advancement is worth becoming complicit in a system capable of manufacturing reality for circulation as news. Frank Wisbar shapes Wet Asphalt as a tightly constructed journalistic thriller and moral drama, using the conflict between mentor and protégé to examine sensationalism, fabricated reporting, media influence and the individual responsibility of those who transform information into public truth.
| Work Record | |
| Original Title | Nasser Asphalt |
| Title | Wet Asphalt |
| Year | 1958 |
| Direction | Frank Wisbar |
| Countries of origin | West Germany |
| Gender | Drama, Thriller |
| Colors | Black and White |
| Cast | Horst Buchholz, Martin Held, Maria Perschy, Gert Fröbe, Heinz Reincke, Inge Meysel, Peter Capell, Renate Schacht, Richard Münch, Ludwig Linkmann, Aranka Jaenke, Nikolai Baschkoff, Wolf Martini, Marlene Riphahn, Leni Schulz |
| Producer | Wenzel Lüdecke |
| Duration | 88 Min. |
| Original Language | German |
| Composer | Hans-Martin Majewski |
| Cinematography | Helmuth Ashley |
| Editing | Klaus Dudenhöfer |
| Based on | Inspired by the real 1951 newspaper hoax concerning the so-called “bunker people of Gdingen”. |
| Screenplay | Will Tremper |
| Edition Record | |
| Dubbing | English |
| Subtitle | |
| Editing Note | This edition is presented in standard definition, with black-and-white imagery at 720×576 pixels and 25 frames per second. The transfer maintains stable framing, satisfactory contrast and generally balanced greyscale reproduction, providing a consistent presentation within the characteristics of the available source. Moderate softness, reduced fine detail and light compression artefacts can be observed in wider shots, darker areas and uniform surfaces, but there is no persistent severe blockiness or dominant macroblocking. The image remains stable and comfortable throughout playback, preserving the film’s monochrome photography effectively and providing a technically consistent presentation within the limitations of its resolution. |
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